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Author: Editor

Punjabi basket weaving

The tradition of Punjabi basket weaving.
There was a time when Punjabi villages were completely self-dependent. Crucial items of daily use– like tokri (baskets) and gohle (pots) were widely manufactured locally. The baskets in particular were made out of the wood of Mulberry trees (shahtoot), which were a staple part of the landscape of pre-modern Punjab. These trees, crucial to a number of traditional crafts, were quite common alongside wells and fields but you would be lucky to come across them in rural Punjab today.
Mulberry trees used to be associated with a number of other uses as well. Owing to the density of its canopy, it was popular among the travelers for a rest under unrelenting summer heat. The wood of these trees was also used for various traditional games – the flexible timber being ideal for little boys to fashion rural bows and arrows. These trees have also entered the common culture, being associated with a number of folk songs as well, the most popular of them being Malkiat Singh’s ‘Tutak tutak tutiaan’.

The baskets or tokre made from mulberry trees’ wood were used for a number of purposes. Women used to carry the food for their husbands in the fields. These were also used for feeding the buffaloes and cows and, upturned, for providing warmth to hens and chickens at night. The waste of domesticated animals was disposed off using these baskets and this practice resulted in development of a number of teasing folk songs over time.
Sickles were used to cut mulberry wood into sticks and these sticks were woven by experienced craftsmen. Heavier sticks were used to weave bigger baskets – ‘tokra’ and slender ones were used for weaving smaller baskets – ‘tokri’. The diameter of a bigger basket (tokra) used to be around 3 ft and the smaller basket (tokri) used to be around half a foot smaller than that.
The practice of weaving and using these baskets (tokri and tokra) is, sadly, dying a slow death. Most of the new age villagers prefer solid baskets made of plastics and the household trade of weaving these baskets is rapidly on the decline. These are hardly to be seen in the modern Punjab and the urban kids are becoming oblivious to their rich cultural past quite rapidly.

Marriage Songs

Weddings of Punjab are quite famous for their heartwarming rituals. All the near and dears of Bride and Groom showers blessings on them by dancing and singing. The rip-roaring beats of Punjabi wedding songs fills the minds with excitement and happiness make everyone dancing…

A majority of the Punjabi Lok Geet are devoted to the themes of weddings and marriages. Melodious beats, high tempo and entertaining lyrics are featured in this vibrant theme. Such songs are sung with high spirits and fervor, mainly by groups of elderly and married women. They sit together singing about the rituals and the different stages involved in a wedding.

Suhaag is a nuptial song sung by the women from the bride’s party. It addresses the intense feelings experienced by the bride on her wedding day. Anxiety about leaving her paternal home behind and embracing a new life; her hopes, desires and fears; fulfilling expectations and making adjustments in the new family; wishes and blessings of a safe and happy environment for the bride are sung.

Punjabi Lok Geet Ghorian is the male counterpart of Suhaag. The female group on the bridegroom’s side sings songs that are centered around the various grooming activities the bridegroom goes through on his wedding day. The morning’s ceremonial bath, the extravagant dress, mounting the horse and arriving at the venue with the marriage party are sung about in light hearted verses.

Punjabi Tappe have their own taste on different occasions. The tunes of Tapa (small couplets depicting intense emotions), Boliyan (combination of various tape)-accompanies the female circle dance form ‘Giddah’ and Lambe Gaunh (long songs)- usually sung in weddings are rife in the Kok Geet of the state.

Other popular tunes include Mahiya, Jugni, Jindua, Dhola, Kafian, Dohre, etc. These diverse tunes have a distinct style, context and function. Different tunes are sung on different occasions.

Chak Shahbaz چک شہباز

Chak Shahbaz چک شہباز

Info by Sajjad Hassan

Introduction:

Village Chak Shahbaz چک شہباز is a Hub link among many villages. Located on Bherowal Phalia Road. Having fast transport facility. Wide range of shops, Govt, schools, Petrol Pump, Ice Milk Factory and so many other facilities of life. Its is connected to many villages. The people of near by villages used to come here to purchase their mostly livelihood. The populations round about 3,600 living in this village.

This village  is self Union council  UC 52 Chak Shahbaz 

Nearest Villages

  1. West – Bhekhewal 
  2. East – Bheko mor
  3. South – Melu Kohna
  4. North – Gahry Shareef

Social Personalities

  • Ch Haji Gulam Rasool Tarar
  • Chaudhari Altaf Hussain Tarar (Chairman uc -52 chak shahbaz )
  • Haji Nazir Ahmed Tarar ( ex Nazim)
  • Mumtaz Ahmed Tarar
  • Shamas Tarar (civil judge)
  • Sajjad Hassan Tarar (Lakhan ka) chairman IPI
  • Qasir Sahazad Tarar (PEMRA inspector)
  • Sajid Manzoor Tarar
  • Ch. Mukhtar Ahmed Numberdar
  • Irfan Nawaz Tarar

Highly Qualified Personalities

  • Muahmmad Azam Bhatti SST
  • Muhammad Tihar Shah (Teacher)
  • Haji Nazir Ahmed Tarar (ex Nazim)
  • Ch. Parvez Iqbal Numberdaar
  • Ch Aqib Numberdaar
  • Zohaib Umar Tarar (lakhan ka)

Sports:

  • Cricket
  • Foot Ball
  • VollayBall

Schools

Govt. Boys Elementary School

Govt. Girls Primary school

Mosques

  • NOOR-E-MADINA MASJID

Main castes

  • Tarar
  • Bhatti
  • Malik

Main Crops and Fruits

  1. Wheat
  2. Rice
  3. Sugar
  4. Tobacco
  5. Maize

Mazars:

The historical mazar is Hazrat Sufi sb.

Problems Village

  • Clean Water
  • Roads
  • Education

and to much other

May Allah Bless This Village (AAMEEN)


Information Provided by : Sajjad Hassan

Bhera City History


History of bhera city in Sargodha District Voice Over Amir Joya and reporter is Haji Azhar Mehmood